Department of Transport

I teach playwriting at The Acting Studio, founded by my friend James Price.  Until last fall, I taught in the theatre part of the Studio, Chelsea Rep Lab, which John Grabowski runs.  Last spring was the height of the stop-and-frisk controversy, so John had all the students write one-act plays on that theme.  He or James (I don't remember which) suggested that I do, too.   I was somewhat at a loss.  I can always make things up, but what did I, a middle-aged white woman know about that first hand?

The closest I could muster was that in high school, I'd played Theresa Palancia, a shop lifter, in a video for the Cuyahoga County Criminal Justice System.  When we were shooting in the juvenile detention center, I had a frantic five minutes where I was mixed in with the general population, wearing the uniform.  I wasn't afraid of the other girls (maybe I should have been), I was afraid I wouldn't be able to get out.

And then I remembered that about ten years ago I was held for three hours in a British airport because they suspected me of being connected to the Irish Republican Army, or another Northern Ireland paramilitary group.  It was not a pleasant experience.  Considering the fact my father's family left Ireland during the worst famine in the 1840s, it was not terribly logical.  That didn't stop the Department of Transport.   

So I wrote about it.   The play is far from autobiography-  I had to do a fair amount of research, things are articulated that were not in my interview (I knew they were looking for plastic explosives in my suitcase-  I didn't need to ask).  There was a reading of Department of Transport at The Acting Studio last December, directed by Angelo Berkowitz.  He's also directing the production at Gallery Players that goes up next week.  Details to follow.

Mike Aguirre's Almost a Fantasy

There are two posts up on nytheatre.com about Almost a Fantasy.  A q. and a. with John Grabowski, the show's director and the director of the Chelsea Rep Lab (and until very recently, my boss), and one with Mike Aguirre, my student.

Here's the beginning of Mike's q. and a.:

Almost A Fantasy:
Michael Aguirre

An nytheatre.com FringeNYC Q&A

Q: What is your job on this show?
A: Playwright

Q: Where were you born? Where were you raised? Where did you go to school?
A: I'm a Midwesterner (originally from a suburb of Chicago) and a Hoosier at heart (I graduated from Indiana University)

Q: Have you been part of FringeNYC in the past? If so, how did you particpate? (Be specific! Name shows, etc.)
A: I, myself, have not been a part of the Fringe, but the company who is producing the play, Chelsea RepLAB, was a co-producer of a Fringe show in 2010 which was awarded Excellence in Directing (Kym Gomes)

Q: How did you meet your fellow artists/collaborators on this show?
A: I was taking writing classes through Chelsea RepLAB about a year ago in Anne Phelan's playwriting class.

To read more, go to http://www.nytheatre.com/NytheatreNow/QandA/michael-aguirre-almost-a-fantasy

Almost a Fantasy- More

My student Mike Aquirre's play, Almost a Fantasy, is in this summer's Fringe Festival.  They finally have the particulars. 

Performances are Tuesday, 8/14/12 @ 9:45pm; Thursday, 8/16/12 @ 3:00pm; Sunday, 8/19/12 @ 2:00pm; Tuesday, 8/21/12 @ 8:15pm; Wednesday, 8/22/12 @ 4:00pm; Thursday, 8/23/12 @ 3:00pm.  All performances are at the Robert Moss Theater at 440 Studios, 440 Lafayette Street, 3rd floor (pretty much across the street from the Public; the nearest cross street is Astor Place).   Go to fringenyc.org for tickets.

Almost a Fantasy

My student, Mike Aguirre, has a play (Almost a Fantasy) in rehearsal for this summer's Fringe Festival.  He developed the play in my advanced playwriting class.  The press release follows. 
For Immediate Release
Contact: Patrick Avella at 646-691-0576

Chelsea Rep LAB Presents
ALMOST A FANTASY

The New York International Fringe Festival – FringeNYC
A production of The Present Company
August 10th – 26th
Tickets: $15-$18. For tickets visit www.FringeNYC.org

Chelsea Rep LAB is proud to present Almost a Fantasy as part of the 16th annual New York International Fringe Festival – FringeNYC. A new play written by Mike Aguirre, and directed by John Grabowski, Almost a Fantasy is a two-person play, which will debut at this year’s New York International Fringe Festival in August.

Almost a Fantasy maps the sometimes ardent and often turbulent relationship of an immigrant piano teacher (Dolores) with her young student (Youthney) over a ten-year period of piano lessons. Their time together forces them to cope with their past and learn to survive the present. The piano on which Dolores and Youthney play out their fantasies is an important element in the production, which should make this a must-see for classical music lovers as well as for lovers of new plays.

This show is being produced by Chelsea Rep LAB spearheaded by LAB members Patrick Avella and Greg Cohan, along with other members of Chelsea Rep LAB.

Michael Aguirre (playwright) is a graduate from Indiana University with a B.A. in Theatre and English. He is a suburban Chicago native, and has worked with the Windy City Players, First Folio, Steppenwolf, The Wilma Theater (Philadelphia), and the Hexagon Theatre (South Africa). Since arriving in New York, he's worked with the Pearl Theatre (City Centre), Wide Eyed Productions, Chelsea Rep and Lab, Coffee Black, ReniGraef, and he is a company member of Rising Sun.

John Grabowski (director) is the associate director of The Acting Studio, Inc. and has directed numerous productions including Stage Door (Ferber and Kaufman) Romeo and Juliet (Shakespeare); One Flea Spare (Wallace); Getting Out (Norman); Moonchildren (Weller). He also wrote and directed Knoxville, 1915, adapted from James Agee's novel A Death in the Family, and The Loves of A, based on Arthur Schnitzler's The Anatole Plays for Chelsea Rep.

Chelsea Rep LAB is an on-going workshop environment intended to encourage experimentation in the creation of theatre and the formulation of a non-traditional methodology to help actors realize their potential. The LAB is comprised in large part of graduates of The Acting Studio, Inc. headed by director, James Price (http://actingstudio.com/). The LAB sponsors a developmental writing workshop under the tutelage of Anne Phelan (http://www.annephelan.com/). Besides the Fringe Festival production of Almost a Fantasy, the LAB is currently at work on a series of one-act plays based on news accounts and stories about NYC’s Stop and Frisk policy.

Almost a Fantasy was featured in the LAB’s Emerging Artist Festival in the summer of 2011. The LAB’s work has been previously seen at the Fringe in 2010 in a co-production with Brava Company of By Hands Unknown, for which director Kym Gomes won a FringeNYC Overall Excellence Award for direction. The original material that comes from the LAB’s playwriting seminars reflects sensibilities not often heard from in the established venues of New York Off-Off Broadway theatres, perhaps because the LAB makes a concerted effort to draw its writers from outside the usual mix of university MFA program and established regional theatre playwrights. This results in the presentation of unique and diverse voices in our staged readings and festival productions.

Find out more about the production at: http://www.almostafantasy.net/.

Stage Door

George S. Kaufman wrote a lot of plays, with several collaborators, Moss Hart and Edna Ferber among them. Other than The Royal Family and The Man Who Came to Dinner, they are rarely revived, I assume because the casts are so large.
But this August, you get a chance to see one of Kaufman and Ferber's less revived plays, Stage Door. I have never seen it produced; I've only seen the movie (with an incredibly young Eve Arden cracking wise), though many years ago I used a monologue from it for auditions. Chelsea Repertory Company (I teach playwriting in their Lab) is reviving Stage Door at Shetler Studios' Theatre 54. Directed by John Grabowski, it runs August 4-6 and 11-13 at 8, August 6 and 13 at 2, August 7 at 3 and August 10 at 7. Tickets are $20 at the Door (I already have mine), or $18 through Smarttix (link above). It features a cast of 31 (!- when was the last time you saw 31 actors on stage in a straight play?), among them my playwriting student Gregory Cohan.
Here's the plot summary: The Footlights Club in New York City provides a home for the struggling stage actresses who meet the challenges of surviving the Depression and the ups and downs of the Broadway theater with charm and grit. Terry Randall, a headstrong and witty girl from the Midwest, is determined to become a leading actress on the Great White Way. While pursuing her career, she becomes involved with two completely different bachelors - the left-wing arrogant playwright Keith Burgess and David Kingsley, a well-groomed elegant film producer. Also residing at the Footlights Club is Jean Maitland, who lands the Holy Grail - a seven-year film contract; Kaye Hamilton, whose lack of stage success leads to suicide; Pat Devine, a nightclub dancer; and Linda Shaw, a society girl who shocks her mother by having an affair with a wealthy married man. Terry sticks to her guns and wins both the leading role in a Broadway play and the affections and respect of the man she loves.